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Here are all the paintings of Fritz von Uhde 01
ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
54301 |
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Bavarian Drummers |
mk235
1883
Oil on canvas
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54300 |
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Big Sister |
mk235
1892
Oil on canvas
1885
48.5x33cm
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70681 |
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Die grobe Schwester |
Medium Oil on canvas
Dimensions 48,5 x 33 cm
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54298 |
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Fish child in Zandvoot |
mk235
1882
Oil on canvas
60x80cm
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38669 |
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Grace |
mk138
1885
Oil on canvas
130x165cm
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34026 |
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In the Garden |
mk87
1906
Oil on canvas
70x100cm
Mannheim,Stadtische Kunsthalle Mannheim
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54325 |
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In the Garden |
mk235
1906
Oil on canvas
70x100cm
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38668 |
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Little Heathland Princess |
mk138
1889
Oil on canvas
140x111cm
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98049 |
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Old woman with a pitcher |
second half of 19th century
Medium oil on canvas
Dimensions 61 x 49 cm
cyf |
54299 |
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Two daughters in the garden |
mk235
1892
Oil on canvas
1892
145.5x116.5cm
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Fritz von Uhde
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German, 1848-1911
was a German painter of genre and religious subjects. His style lay between Realism and .Uhde was born in Wolkenburg, Saxony. In 1866 he was admitted to the Academy of Fine Arts in Dresden, but later that year he left his studies for military service, and from 1867 to 1877 he was a professor of horsemanship to the regiment of the assembled guard. He moved to Munich in 1877 to attend the Academy of Fine Arts. In Munich he particularly admired the Dutch old masters, and in 1879 he travelled to Paris where his studies of the Dutch painters continued under Mihely Munkecsy's supervision. In 1882 a journey to Holland brought about a change in his style, as he abandoned the dark chiaroscuro he had learned in Munich in favor of a colorism informed by the works of the French Impressionists. His work was often rejected by the official art criticism, and by the public, because his representations of ordinary scenes were considered vulagar or ugly. The critic Otto Julius Bierbaum was more sympathetic; in 1893, he wrote, "As a painter of children, for example, Uhde is extraordinarily distinguished. He does not depict them as sweetly as used to be popular; in other words not as amusing or charming dolls, but with extreme, very strict naturalness." In about 1890, Uhde became a professor at the Academy of Fine Arts in Munich.
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